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PANEL 1: The MACHITO floats above a cloudy planet, stars in space behind them.
LOCATION: THE MACHITO, ON SASEET
Nando, from inside the ship: But Captain…you’re acting like you’re going to stroll in, give your report, and stroll out.

PANEL 2: NANDO, a young man in a baseball hat and imperial uniform, stands next to the CAPTAIN, an older woman with a grey bouffant hair and glasses. She stands at a control panel, holding a mug of coffee.
NANDO: …What if this is just an execution’s summons from my uncle?
CAPTAIN: I’m damned if I go, and I”m damned if I don’t go, ‘Nando. At least in going…there’s a chance.

PANEL 3: The CAPTAIN takes a sip, while SKITTER, a squirrel-like creatures with a mohawk, flies in his chair in silhouette behind her.
CAPTAIN: You now better than anyone: if I DON’T report in, he can take over the ship remotely.
SKITTER: The Empire can do that? Fly this ship REMOTELY?

PANEL 4: NOSH, a large bumpy alien, leans in, while NANDO squints in reaction.
NOSH: Is called “Drive Recovery Protocol.” Is meant for when peoples steal a ship with a Cruz drive.
NANDO: They’re right. As the onboard Familia, I”m actually supposed to trigger it locally. But Emperors have done it remotely, in the past.

PANEL 5: From outside the ship, we see the MACHITO flying through FTL space, stars streaking by, as the ship heads toward a bright light.
SKITTER, from inside the ship: Wait wait wait. Why doesn’t the Empire just fly EVERY ship remotely then?
NOSH, from inside the ship: Is not good pilotings. THERE IS A HUGE LAG. You send signal to turn left, and like two minutes later it turn left. So steering is not comfy fun times.

PANEL 6: NOSH makes a motion of one fist punching in to another. SKITTER, in his chair, looks worried in his reaction.
NOSH: But THAT is not a problem during drive recovery protocol, because you prolly trying to fly ship into HARD-TO-MISS SPOT. …like thermo-nuclear star.
SKITTER: I seeeeeee [music note]

———
Want to read the full story? Join us at Patreon.com/drive for the *FULL* Tales of the Drive archives, art giveaways, fun community, and more! DRIVE copyright Dave Kellett. Colors by Beth Reidmiller
PANEL 1: The MACHITO floats above a cloudy planet, stars in space behind them.
LOCATION: THE MACHITO, ON SASEET
Nando, from inside the ship: But Captain…you’re acting like you’re going to stroll in, give your report, and stroll out.

PANEL 2: NANDO, a young man in a baseball hat and imperial uniform, stands next to the CAPTAIN, an older woman with a grey bouffant hair and glasses. She stands at a control panel, holding a mug of coffee.
NANDO: …What if this is just an execution’s summons from my uncle?
CAPTAIN: I’m damned if I go, and I”m damned if I don’t go, ‘Nando. At least in going…there’s a chance.

PANEL 3: The CAPTAIN takes a sip, while SKITTER, a squirrel-like creatures with a mohawk, flies in his chair in silhouette behind her.
CAPTAIN: You now better than anyone: if I DON’T report in, he can take over the ship remotely.
SKITTER: The Empire can do that? Fly this ship REMOTELY?

PANEL 4: NOSH, a large bumpy alien, leans in, while NANDO squints in reaction.
NOSH: Is called “Drive Recovery Protocol.” Is meant for when peoples steal a ship with a Cruz drive.
NANDO: They’re right. As the onboard Familia, I”m actually supposed to trigger it locally. But Emperors have done it remotely, in the past.

PANEL 5: From outside the ship, we see the MACHITO flying through FTL space, stars streaking by, as the ship heads toward a bright light.
SKITTER, from inside the ship: Wait wait wait. Why doesn’t the Empire just fly EVERY ship remotely then?
NOSH, from inside the ship: Is not good pilotings. THERE IS A HUGE LAG. You send signal to turn left, and like two minutes later it turn left. So steering is not comfy fun times.

PANEL 6: NOSH makes a motion of one fist punching in to another. SKITTER, in his chair, looks worried in his reaction.
NOSH: But THAT is not a problem during drive recovery protocol, because you prolly trying to fly ship into HARD-TO-MISS SPOT. …like thermo-nuclear star.
SKITTER: I seeeeeee [music note]

———
Want to read the full story? Join us at Patreon.com/drive for the *FULL* Tales of the Drive archives, art giveaways, fun community, and more! DRIVE copyright Dave Kellett. Colors by Beth Reidmiller
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Did you know I give away a free piece of original art every week on the Drive Patreon? EVERY WEEK! It's just one of the reasons that Patreon is awesome. 
Join us on Patreon and get: • 200+ pages of bonus "TALES OF THE DRIVE"! • Weekly art giveaways! • Behind-the-scenes! • Pal-times forums! • It's super worth it! Jump in: https://www.patreon.com/drive

This week’s ComicLab is live!

Pals! Every week my cartooning pal Brad Guigar and I fire up the mics to talk about comics. It’s half shop talk, half how-to, and half friendship. That’s right: WE SQUEEZED IN THREE HALVES. It’s tips and tricks and all the joys of cartooning as a pro!

And here’s a summary of this week’s show, which just went live! 

———

LINK: https://www.patreon.com/posts/in-over-my-head-116117374

TITLE: In over my head

What happens when your story gets too big for you to handle? Are you the right person for the job? (And if not you, then who??)

On Today’s Show:

  • In over your head
  • UPDATE: It was FCS all along
  •  Crossbar-I technicality
  • Advice to your older self

Summary

In this episode, the hosts discuss the challenges creators face, particularly when tackling complex themes such as systemic injustice in long-term comic projects. The hosts emphasize the importance of pushing through creative doubts and the value of learning from mistakes in the writing process. In this conversation, they explore the complexities of creativity, mainly focusing on the challenges creators face after a hiatus. They discuss the importance of embracing imperfection, the role of confidence in storytelling, and the value of completing projects. The dialogue emphasizes that it’s normal to feel doubt and that taking breaks can be beneficial. Ultimately, they encourage creators to follow their instincts and permit themselves to explore new directions in their work.

In this episode, Brad Guigar and Dave Kellett revisit a previous discussion about the frequency of comic updates, introducing the concept of FCS (Frequent, Consistent, Significant) as a guiding principle for creators. They delve into the nuances of typography in comics, particularly the use of the crossbar I, and emphasize the importance of clarity in communication. The conversation takes a philosophical turn as they explore what advice they would give to their future selves, reflecting on the nature of change and the importance of embracing it as artists. In this episode, the hosts explore the themes of establishment in the cartooning world, the importance of embracing change, and the value of taking risks. They reflect on the advice they would give to their younger selves, emphasizing the need to cultivate joy and not let life’s challenges steal it away. The conversation also touches on the cyclical nature of life experiences and the lessons learned from past regrets.


This week’s ComicLab is live!

Pals! Every week my cartooning pal Brad Guigar and I fire up the mics to talk about comics. It’s half shop talk, half how-to, and half friendship. That’s right: WE SQUEEZED IN THREE HALVES. It’s tips and tricks and all the joys of cartooning as a pro!

And here’s a summary of this week’s show, which just went live! 

———

LINK: https://www.patreon.com/posts/minor-problem-117033293

TITLE: A minor problem with a comic major

Does an aspiring comics artist/writer need a college degree? And, if so, which degree is best? Next, a listener asks why Brad publishes his weekly comics page in half-page increments.

  • What schools do we recommend?
  • Why does Brad publish twice a week?
  • Substack and Bluesky

Summary

In this episode of ComicLab, hosts Brad Guigar and Dave Kellett explore the importance of higher education for aspiring cartoonists, debating the merits of specialized degrees versus a broader liberal arts education. They emphasize the significance of writing in comics, the value of community colleges, and the necessity for aspiring artists to actively create comics during their education. The episode concludes with a discussion on the optimal update frequency for comic creators, highlighting the balance between reader engagement and creative output. In this conversation, Brad Guigar and his co-host discuss the nuances of storytelling in comics, emphasizing the importance of finding a ‘sweet spot’ in panel structure and update frequency. They explore the challenges of conveying narratives in short formats, particularly in the context of webcomics, and the need to adapt to new platforms and formats for compelling storytelling. The discussion also touches on the evolving landscape of comic publishing, including the potential of platforms like Substack and Bluesky.


This week’s ComicLab is live!

Pals! Every week my cartooning pal Brad Guigar and I fire up the mics to talk about comics. It’s half shop talk, half how-to, and half friendship. That’s right: WE SQUEEZED IN THREE HALVES. It’s tips and tricks and all the joys of cartooning as a pro!

And here’s a summary of this week’s show, which just went live! 

———

LINK: [insert link]

TITLE: Nobody believes I’m a cartoonist

How do you explain to someone that you’re a professional cartoonist? More importantly — should you even try?! Also, Dave and Brad share details about the software they use, and Brad extolls the virtues of a Patreon content exchange.

On Today’s Show…

  • How do you explain to people that you’re a professional cartoonist?
  • What software is best for comics?
  • Take a break this holiday
  • Patreon content exchange

Summary

In this conversation, Brad Guigar and Dave Kellett discuss the challenges of explaining their profession as cartoonists to others, as well as the misconceptions surrounding the field. Next, they explain the significance of using the right software for comic creation. They emphasize the need for cartoonists to be aware of the technical aspects of their work, particularly when it comes to color formats and printing. Brad Guigar and Dave Kellett emphasize the advantages of tools like Clip Studio Paint and Adobe products. They also highlight the significance of taking breaks during the holiday season to recharge creatively. The conversation shifts to strategies for Patreon content exchanges, where they share insights on effectively reaching out to other creators and the benefits of collaboration in building audiences.


This week’s ComicLab is live!

Pals! Every week my cartooning pal Brad Guigar and I fire up the mics to talk about comics. It’s half shop talk, half how-to, and half friendship. That’s right: WE SQUEEZED IN THREE HALVES. It’s tips and tricks and all the joys of cartooning as a pro!

And here’s a summary of this week’s show, which just went live! 

———

LINK: https://www.patreon.com/posts/your-content-is-115212825?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link

TITLE: Your Content is not your Community

When comic creators try to market their comics, they often confuse what their comic is about with who it’s for. Cartoonists Dave Kellett and Brad Guigar offer some guidance on making compelling promotions that work. In the show’s second half, the boys have a devil of a time talking about angel investing.

In this episode, Brad Guigar and Dave Kellett explore how comic creators can broaden their audience beyond niche markets, emphasizing the significance of themes and relationships in storytelling. The conversation highlights the need for creators to identify their comic’s appeal and engage with a broader audience.

In this conversation, the hosts explore the concept of angel investing, particularly in the context of cartoonists and creative industries. They discuss the nature of angel investing, the challenges cartoonists face in securing funding, and the potential roles that angel investors could play in their careers. The conversation also delves into alternative funding models like Kickstarter and Patreon and the importance of marketing versus production in growing a creative business. Ultimately, the hosts reflect on their experiences and the realities of managing growth in the comic industry. In this episode, the hosts delve into the complexities of comic creation, discussing the balance between marketing and content production, the impact of hiring assistants, and the challenges of delegating creative tasks. They explore the dynamics of collaboration in writing and the potential growth opportunities for their podcast, ComicLab, while acknowledging the realities of success and the risks involved in expanding their creative endeavors.


This week’s ComicLab is live!

Pals! Every week my cartooning pal Brad Guigar and I fire up the mics to talk about comics. It’s half shop talk, half how-to, and half friendship. That’s right: WE SQUEEZED IN THREE HALVES. It’s tips and tricks and all the joys of cartooning as a pro!

And here’s a summary of this week’s show, which just went live! 

LINK: https://www.patreon.com/posts/lets-talk-about-114747356

TITLE: “Let’s talk about your bits and pieces”

When a listener asks about Kickstarter strategy, the ComicLab guys are divided! Dave favors the traditional webcomics approach. Build your audience by posting the comic online, then monetize that engagement with a Kickstarter. Brad likes this, but he could also see using Kickstarter’s strengths in Discovery to build the audience through a series of smaller campaigns that lead to a big one.

Summary

In this conversation, Brad Guigar and Dave Kellett explore various aspects of creating and promoting comics, including the importance of audience engagement, the role of webcomics, and practical strategies for using platforms like Patreon and Kickstarter. They discuss the significance of consistent content release versus binge releases, emphasizing the emotional connection built through regular engagement with readers. The conversation also touches on personal anecdotes and humorous references, making it both informative and entertaining for aspiring comic creators.

In the second half of the show, Brad Guigar and Dave Kellett discuss various topics related to comic creation, including the joys of attending the Alaska Comics Camp, the potential of drawing Q&A sessions for Patreon, the nuances of live streaming for community versus audience building, and strategies for overcoming comic paralysis. They emphasize the importance of community engagement, the legal considerations of using names in drawings, and the creative processes involved in writing and drawing comics.





Just 3 days left to get my new book!

Pals!
There’s just THREE DAYS LEFT to get my new comics collection! It’s gonna be a dang delight: 240 page, all-color collection of my bestest comics from recent years. (And we’ve already unlocked two stretch goals to make it even better at no extra cost to you!) I’m super proud of this book — I know you’re gonna love it!

BUT! I’m not going to be printing a huge amount over and above the Kickstarter, so please don’t sleep on it! Get your book during the Kickstarter, pals!


HERE’S THE LINK:

https://www.kickstarter.com/projects/smallfish/get-it-together-pickles?ref=8hgx3j



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